![]() ![]() Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925–1945. Imagology: The Cultural Construction and Literary Representation of National Characters: A Critical Survey. Bristol: Intellect.īeller, Manfred, and Joep Leerssen, eds. Refugee Performance: Practical Encounters. Feldman New York: Schocken.īalfour, Michael, ed. ‘We Refugees.’ In The Jewish Writings, ed. ![]() Minneapolis: Minnesota Press.Īrendt, Hannah. It then introduces the individual chapters of the subsequent five sections, which are grouped under special topics, and are devoted to 48 case studies across various geographies and time periods that highlight, describe, and analyse different theatre practices related to migration. It also introduces the structure of the book, revealing how it is divided into six sections, the first of which is dedicated to the major theoretical concepts related to the field of theatre and migration. In particular it looks at specific terminology such as refugee, nomad, migrant, exile, and asylum seeker. It provides a brief summary of the important literature in the field and indicates some of the major issues to be covered. This chapter, which serves as an introduction to this book, provides an overview of the contents of the book, indicating their wide-ranging coverage of theatre and performance practices related to the experience of global movements. ![]()
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